Frames and Textiles

20×20 frame is a modular frame.
Add stands and fabrics to your order.
Consists of 83m tubes and connectors.
Material: aluminum.

Modular Overhead Frame is comprised of heavy duty 0.11 thick square section tube that slot and pin locked together, rapidly providing a stable frame for silks, scrims, etc.

Overhead snap frame 245 x 245 cm (8×8 feet); enables quick opening and unfolding and is ready for installation in seconds without having to remove the fabric; Material: aluminum.

This unique overhead frame allows rapid fold-out and set-up, ready to mount on stands in seconds. Precisely engineered, the hinged connection points will easily fold to move the frame from set to set.

Flags are square or rectangular frames with mounting pins attached. Used to control natural or artificial light. Fabric: Solid Black. Shape: Rectangular. Sizes: 2x3ft, 3x3ft, 12x18in, 18x24in, 23x30in.

Cutters are square or rectangular frames with mounting pins attached. Used to control natural or artificial light. Fabric: Solid Black. Shape: Rectangular. Size: 2x3ft, 2x4ft, 10x40in, 18x48in.

Open End Frames are made of spring steel with a 3/8″ pin . Fabric Type: Black Single. Light Reduction: 2 Stops. Fire Treatment: Flame Retardant. Dimensions: 18 x 24″ / 46 x 61 cm.

Open End Frames are made of spring steel with a 3/8″ pin. Fabric Type: Black Single. Light Reduction: 2 Stops. Fire Treatment: Flame Retardant. Dimensions: 18 x 24″ / 46 x 61 cm.

Open End Frames are made of spring steel with a 3/8″ pin and support which can be used to hang the Scrim from the C Stand handle when not in use. Size: 18″x24″. Reduces Light Output by (1 1/2) F-stop.

Open End Frames are made of spring steel with a 3/8″ pin and support which can be used to hang the Scrim from the C Stand handle when not in use. Fabric Type: White Artificial Silk. Dimensions: 18 x 24″ / 46 x 61 cm

Features grommets and string ties for attaching to frame. Reduces light output 1.2 f-stops.
Fabric Type: Black Single. Fire Treatment: Flame Retardant.

The Cucoloris, also known as a cookie, is used to create shadow patterns on backgrounds or subjects. A flatly lit wall can be broken upinto interesting pools of light and shadow.

The 4x4ft Floppy Cutter – Bottom Hinge is an must-have accessory that can be used to get better light control. Floppies can come in both top and bottom hinge sizes.

This 32″ collapsible disc features a super soft silver surface on one side and a white surface on the other allowing you to modify the light according to your preference.

This highly versatile fabric is lightweight and durable. The white side provides a soft, even bounce without any hot spot, and the reverse matte black side can be used for negative fill or masking.

Features grommets and string ties for attaching to frame. Reduces light output 1.2 f-stops. Fabric Type: Black Single.
Fire Treatment: Flame Retardant.

This is an extremely durable yet lightweight fabric, the most popular by far being the Silent type, ideal for outdoor filming where wind might create sound issues.

This man-made fabric is denser and softens and spreads the light more than the “China”. Has built-in ties for use with collapsible frame.

A very lightweight diffusion which does not lose much of its intensity.
Also introduces greater bounce.

Silks are one of the most popular choices for diffusion on set. When silks soften light, they provide a nice ambient bounce.

Light grid cloth with built-in ties for use with our collapsible frame or for tying to existing fixtures.

A wide range of butterfly textiles for the perfect stage and set lighting effects, indoor or out.

Solid Black Fabric can be used as a matte black photographic background or used to block light.

This highly versatile fabric is lightweight and durable. The white side provides a soft, even bounce without any hot spot, and the reverse matte black side can be used for negative fill or masking.

This is an extremely durable yet lightweight fabric, the most popular by far being the Silent type, ideal for outdoor filming where wind might create sound issues.

This man-made fabric is denser and softens and spreads the light more than the “China”. Has built-in ties for use with collapsible frame or for tying to other fixtures.

A very lightweight diffusion which does not lose much of its intensity, also introduces greater bounce.

Light grid cloth with built-in ties for use with our collapsible frame or for tying to existing fixtures.

Quarter Grid textile with built in ties which can be attached to a 8×8  frame.

Silks are one of the most popular choices for diffusion on set.
When silks soften light, they provide a nice ambient bounce.

Grip Solid Black Overhead Fabric OH12 can be used as a matte black photographic background or used to completely block light. Manufactured from heavy duty commando cloth.

This highly versatile fabric is lightweight and durable. The white side provides a soft, even bounce without any hot spot, and the reverse matte black side can be used for negative fill or masking.

This is an extremely durable yet lightweight fabric, the most popular by far being the Silent type, ideal for outdoor filming where wind might create sound issues.

This man-made fabric is denser and softens and spreads the light more than the “China”. Has built-in ties for use with collapsible frame or for tying to other fixtures.

A very lightweight diffusion which does not lose much of its intensity, also introduces greater bounce. Has built-in ties for use with collapsible frame or for tying to other fixtures.

Light grid cloth with built-in ties for use with our collapsible frame or for tying to existing fixtures.

Quarter Grid textile with built in ties which can be attached to a 12×12 frame.

When silks soften light, they provide a nice ambient bounce.

Textile Black Single.
Net 360X360cm (12”x12”).
A wide range of butterfly textiles for the perfect stage and set lighting effects, indoor or out.

The Grip 12×12 Solid Black can be used as a matte black photographic background or used to completely block light. Manufactured from heavy duty commando cloth.

The 12×12 White Screen is a must for anyone who shoots digital/video photography. This handy background for digital and video shooting can be rapidly mounted or removed.

The Grip 12×12 Silver Lame Reflector 17 allows you to use the sun to help light your scene. Creates a large, powerful light source.

Filters include a range of solutions.
Softening and spreading a light beam.
Reducing the contrast ratio between highlight areas.

Quarter Grid textile with built in ties which can be attached to a 8×8  frame. This is a light diffusion textile similar to 250 diffusion.

The photographic white surface is used for bounce while the black side prevents ambient bounce.

Features grommets and string ties for attaching to frame. Reduces light output 1.2 f-stops.

Silent 1/4 Grid Cloth w/ Black Storage Bag. Elastic on corners.

Light grid cloth with built-in ties for use with our collapsible frame or for tying to existing fixtures.

At 0.8 stops offers a mild diffusion of light with a moderate amount of ambient bounce.

Silk 1/4 – White (Quarter). Webbing : white. All sizes have on corners elastic : 50 cm long.

The Grip Single Net Black Scrim overhead fabric reduces light output 0.6 f-stops on a camera lens. Does not alter beam quality. May also be used as a background for softening focus and reducing light.

Solid Black can be used to block light, provide privacy or deployed as a matte black photographic background. Fabric has grommets every 2′ for attaching to frame with string ties.

White Screen is a must for anyone who shoots digital/video photography. The background is made from a rugged polyester fabric that is manufactured under strict dye-lot controls.